The current backlogs for every step in the vinyl record process makes for sloppy or non-existent quality control – these problems of haste equally afflict all vinyl colors. More than 80% of my collection is on colored vinyl, picture discs and laser etched discs. Clear vinyl should always be cheaper than black and colors, yet it often gets priced higher in stores, and often this is paired with smaller pressing numbers. It’s also just super fun to be able to say that I own The Beatles White Album on white vinyl, and Elton John’s Yellow Brick Road on yellow vinyl. And I’ll be damned if there’s any difference in sound quality, given that black vinyl IS colored; all vinyl starts out colorless. Add to this colored vinyl/picture discs and you only add to the visualness of an audio medium. citing Mondo as an example of “greasy chemical sludge” and “cheap colored version” is not making your argument – i have several copies of that pressing on black and that variant you mention, and just about every Mondo release there is. why not add some fantastic visual experiences to the collection? Not being an audiophile, I always liked vinyl and specially limited editions. Nice article. related: aren’t there some labels (or at least a label) that press “audiophile clear vinyl” with some reasoning on the back as to why it’s better than black vinyl? 3) As some people point out here, vinyl collection nowadays is partially a fashion and color, 180 gr vinyl, this and that are marketing tools being applied vigorously. This drives down supply while increasing demand, leading to higher market costs. They are typically made of 3 layers. The colored vinyl phenomena is most certainly gimmickry. I can understand that black vinyl would have less noise then colored or picture discs. FYI, I have several copies of Reel Music by The Beatles on translucent gold vinyl for sale (still factory sealed! These single use latex free gloves are perfectly designed for your comfort and protection. Although I would still prefer black if it is availabe. I find regardless the care during the cutting process and creation of the coloured vinyl, black vinyl is always a little less noisier on the inside and outside grooves though it isn’t really a big deal as vinyl is in general a little noisy. That being said, when I had the choice, I always went for the picture discs and colored vinyls, even knowing them to be not as good. [u=aopps42] Great point, I certainly agree that records have become an investment for some. Prices as low as $3.15 Per Yard. Black Give Way to Blue; The Devil Put Dinosaurs Here; My list is almost in chronological order except as most people will agree, Dirt is AIC’s best album. Ultimately, the commentary on mastering and cutting quality are the actual winners here, which I’m glad to see you acknowledge… but you skip right over when people bring up black vinyl being just as colored as “gimmick” pressings, which is entirely valid. And yes, I do like having ‘limited editions’ as I’m not afraid to say it, it does make me feel abit special. I think coloured vinyl is great when it adds something to the understanding of the music or what the artist is trying to convey. If you’re so interested in optimum fidelity then I think only Mofi LPs are going to be good enough for you, and you should probably opt for their half-speed mastered stuff as well. Buying a record is more than just buying music; if that’s all you’re after then you can forgo the expensive equipment and just buy the media in a lossless format thus having the music in as good or better quality. This final thin and malleable plastic layer is not as durable as regular records, which can negatively affect both the playback and long-term durability. I grew up with vinyl in the 80’s as the format of choice. Let’s take a look at some examples of how a color record can affect the desirability and price of an album. I like every track and can listen straight through without a thought of skipping anything. i don’t like sound of colored vinyl, i can remember only a few exceptions. I don’t care how often an album gets pressed after i bought it. [u=espen.olsen.982] As I mention in the post, when I say “colored”, I’m referring to colors other than black. buy. [u=Xe4ro] Agreed, I also buy without the thought of reselling which I think factors into some of these colored variants selling for such insane amounts. Sure, there are exceptions to the rule. I’m looking at two reissues that are only available in colored vinyl versions: “There’s a Riot Goin’ On” by Sly and the Family Stone and “The Bridge” by Billy Joel. [u=coopzilla] That’s an excellent point, it is madness! For decades, colored vinyl was looked upon as some open joke. This has black/white quarters which you can honestly hear when the needle transfers from black to white. as a collector, i frequently have black and colored vinyl of the same release. But, it’s not about what sounds better. "logo": Recycling thoughts from the same discussion w/ Indie Vinyl Den ( I think, admittedly, the novelty of it is a part of collecting today. That’s the source of most of the earlier quality issues regarding colored vinyl. Even the most pristine black vinyl cannot represent the music as accurately as can high-resolution digital. Part of the fun for me is tracking down limited pressings, preferably on colored vinyl (which I feel enhances the artistic design of the entire package and increases my enjoyment). [m664511], [m423594] & [m745951] The original blacks are harder to find, but the coloured (still on shelves in places) tends to fetch more O_o. "url": "", I recommend googling the subject, there are many vinyl manufacturers online that will literally grade the typical degradation in sound by their color. At the same time, the album offers the full, bracing impact of Alice In Chains, a band that kept heavy rock exciting at the dawn of the '90s and helped set the stage for an even grungier Seattle sound still clearly firing on all cylinders. Any vinyl being pressed nowadays runs a chance of not sounding so hot, not because of the color, but as above due to the mastering process, the Majors controlling the plants and rushing things through and the people at the plants who are not as experienced in cutting vinyl as the vinyl that came from the true “heyday”. "dateModified": "2019-04-17", Living In Tension 7. i can think of one colored vinyl i purchased in the last few years that sounded inferior to the black. If you enjoy what you are doing, you might as well have fun.”. For example, you can find a barely-played 60s pressing of the 2001 soundtrack for a couple bucks…and often in dollar bins. YRYM HT Clear Vinyl Transfer Paper Tape Roll-12 x 50 FT w/Alignment Grid Application Tape for Silhouette Cameo, Cricut Adhesive Vinyl for Decals,Signs, Windows, Stickers 4.7 out of 5 stars 21,581 $17.39 $ 17 . At least this post here ( asserts that carbon black is used to hide flaws, not produce better-sounding records. “You don’t have to collect vinyl to love music, but you have to love music to collect vinyl (”, Ben Blackwell also talked abuot Third Man’s output I just stare at the cover art. [u=78finn] Fair enough, thanks for your comment! The Early November Lilac Yellow Vinyl LP I also removed all four of the black door top trims, as the black was peeling off, exposing chrome underneath. Price Match Guarantee. It causes skips, noise and it sucks when you hear it. Music is an experience and trying to collect experiences in a physical form is silly. LP (Half Black / Half Blue) Drunk Tank Pink. "url": "" Beyond all of this is the fact that collecting music, at it’s root, is fundamentally an absurd and rather gauche exploit to begin with. These powder free gloves are 5mils thick making them anti-tear and anti resistant. Because frankly, I don’t trust 99% of people who “feel” the sound quality, they’re mostly full of themselves, and/or trying to sound cool. Vinyl looks beautiful in blue. The purer the vinyl (virgin)(yes even black), the more light would show through. But you really can’t now. The White Album on blue vinyl. Almost exclusively classical music targeting people who wanted high quality sound. [u=hifienvelope] Beautifully put. Is there a particular color of vinyl that causes more problems than another? I have always found it questionable the sound of colored vinyl, with picture discs sounding the worst. “Colored wax, and I’m talking about any color other than classic black, was looked upon as some open joke; a way the record company looked upon its buyers with disdain,”. Add to cart. Recording on Black Gives Way To Blue began in October of 2008 at Dave Grohl’s Studio 606 in Northridge and finished at Henson Studios in Hollywood. Many audiophile pressings of classical vinyl is also on red and allegedly superior. Beauty is in the eye of the beholder, my dear. Packaging & artwork has always been one of the biggest draw cards when it comes to vinyl and coloured vinyl is really just an extension of that. woah!, who’s bed did you get out the wrong side if? Equally important is the system you’re playing it on. [u=dwars] Wow, that’s weird. Some really low-grade vinyl sometimes looks brown but is actually black because the wax is so thin you can see through it. Sometimes you would see pieces of the old labels in the vinyl. The issue is marketing and the ignorance of vinyl buyers brought in on the resurgence wave. Lost 3. One way is by stacking them. But no, and this record makes it clear why with numerous nods towards lead singer Layne Staley's tragic death in 2002, over seven years after 1995's self-titled third LP. 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