"Joss Whedon Gets the Cast Vamping", Zacharek, Stephanie (November 7, 2001). The episode nears the end with "Where Do We Go from Here? SKU: MN0078180 In the same episode, Dawn, who has been stealing from stores, including Anya's magic shop, lies to Buffy and goes on a clandestine and almost deadly date. At the Magic Box, Giles recognizes that he must stand aside if Buffy is to face her responsibilities in caring for Dawn instead of relying on him ("Standing") and Tara finds a picture of the forget-me-not flower Willow used to cast a spell on her in a book of magic. Following its series finale, fans continued their appreciation in theater showings of "Once More, with Feeling" where attendees are encouraged to dress like the show's characters, sing along to the musical numbers, and otherwise interact in the style of The Rocky Horror Picture Show. [note 4] Tara and Willow demonstrate throughout the series, and specifically in "Once More, with Feeling", that they are "intensely sexual", according to Buffy essayist Justine Larbalestier. [43] When they all sing the chorus at once to the line "We will walk through the fire / And let it — burn", two fire trucks race behind the Scoobies as they proceed to the Bronze. [N.C.] Dm Am Dawn: Where do we go from here C G Asus Buffy & Spike: Where do we go from here F Giles: The battle's done, F/C (or some variation of- listen carefully) And we kinda won. Castañeda, Laura; Campbell, Shannon (2006). Network president Dean Valentine remarked he thought it was "one of the best episodes of television I ever saw in my life". Bored stiff. ANYA, XANDER Why is the path unclear When we know home is near? [51], Writers agree that the episode was risky and could have failed spectacularly. [13] Connie Ogle in The Miami Herald calls the songs "better and far more clever than most of the ones you'll hear on Broadway these days". I say that’s not going to happen. Wanneer deze compositie beschikbaar is voor verschillende instrumenten, dan hebt u de  … Tara and Willow leave to "research" at home, but dally along the way while Tara muses about how much Willow has improved her life ("Under Your Spell"). Both Williams and Margaret Lyons at New York magazine, however, declared "Once More, with Feeling" the "gold standard" for musical episodes. (Tell me) Dial-Driver, Emily; Emmons-Featherston, Sally; Ford, Jim; Taylor, Carolyn Anne (eds.) Jonathan Bernstein in the British newspaper The Observer writes "What could have been, at best, an eccentric diversion and, at worst, a shuddering embarrassment, succeeded on every level [...] It provided a startling demonstration that creator Joss Whedon has a facility with lyrics and melody equal to the one he's demonstrated for the past six seasons with dialogue, character and plot twists. I’m a grown ass man and I love that song. And we kinda won. [6] UPN, the television network that aired Buffy's last two seasons, promoted the episode by displaying Gellar's face on billboards with music notes over her eyes, and held a special premiere event. Hello everybody! Comment and share your favourite lyrics. GILES The battle's done and we kind of won. The next morning at the Magic Box, the gang reveal that they also sang that evening. Whedon, who has stated this is one of his favorite Buffy episodes, used a widescreen letterbox format for filming (the only episode in the series to get this treatment),[12] different lighting to bring out the sets more vibrantly, and long takes for shooting—including a complicated shot with a full conversation, a song, and two choreographed dances that took 21 attempts to get right. The mood is set by music, characters discuss it, and writers use it to emphasize differences between generations. [24] For Buffy, however, truth is slow in coming, as she continues to lie to the Scoobies, claiming to forget what she sang about in the graveyard during "Going Through the Motions". [6] Stephanie Zacharek of Salon.com considers this "brilliant because it frees even people who hate musicals to settle into the story without getting hung up on the genre's conventions". [65] In Region 1, the episode was released on the sixth season box set on May 25, 2004, over a year later than the Region 2 release. In the first episode of the sixth season, Willow, believing Buffy to be in Hell, used magic to bring her back from the grave. Amber Benson , Anthony Stewart Head , Emma Caulfield , James Marsters , Michelle Trachtenberg , Nicholas Brendon and Sarah Michelle Gellar Buffy The Vampire Slayer lyrics Where Do We Go From Here? Although Spike initially thinks that things would be better for him if Buffy was dead, he also changes his mind and decides to help Buffy; Sweet opines that Buffy is drawn to danger ("Walk Through the Fire"). Murray, Steve (November 6, 2001). "' "[54], The episode was nominated for an Emmy Award for Outstanding Musical Direction, but the National Academy of Television Arts and Sciences (NATAS) neglected to include the title on the ballots for Emmy nominations in 2002. Since her resurrection, Buffy has been lost and without inspiration to perform her duties as a Slayer. [9] The actors were initially bewildered; in 2012, James Marsters commented that "it's obvious now that they were good songs but the thing was Joss and his wife Kai, they don't sing very well. Led by Giles, the gang theorizes about the cause of the singing; they sense no immediate danger but agree that by working together they can overcome anything ("I've Got a Theory/Bunnies/If We're Together"). Spike leaves The Bronze, but Buffy follows him out, and they kiss ("Coda"). [48] This was a decrease from the 3.7 rating received by the previous episode a week prior. [Anya and Xander] Why is the path unclear When we know hope is near? Bugger this. ANYA, XANDER Why is the path unclear When we know hope is near?. When does the end appear, [2], Throughout Buffy the Vampire Slayer, music serves as a narrative tool, integral to character development and action. GILES, TARA So we sound our victory cheer Where do we go from here?. [45] Musicologist Amy Bauer categorizes the tempo shifts as "rock ballad to punk polka to hymn" that indicates Buffy's turmoil. When re-runs were aired, several verses of songs were cut. C E D Randy Lewis (September 23, 2002). Buffy The Vampire Slayer feat. "[50] Steve Murray in The Atlanta Journal-Constitution characterizes the episode as "scary in a brand-new way", saying "Once More, with Feeling" is "as impressive as Whedon's milestone episodes 'Hush' and 'The Body'"; the episode is "often hilarious", according to Murray, and acts as "(b)oth spoof and homage, [parodying] the hokiness of musicals while also capturing the guilty pleasure and surges of feeling the genre inspires". Debi Enker in Australia's The Age writes, "Giles (Anthony Stewart Head) and Tara (Amber Benson) are terrific, Xander (Nicholas Brendon) and Dawn (Michelle Trachtenberg) struggle valiantly, and Willow (Alyson Hannigan) barely sings a note". starts and ends within the same node. During the long single-shot scene when she and Xander talk over each other insisting to Giles that evil must be at play, Anya refers to the audience, saying "It was like we were being watched ... Like there was a wall missing ... in our apartment ... Like there were only three walls and not a fourth wall." Heh. [8][note 1] Two choreographers worked with Whedon and the cast on dance sequences. (Tell me) Tell me where do we go from here. Buffy the Vampire Slayer: Once More with Feeling [Musical Episode Soundtrack], "Buffy the Vampire Slayer: Once More with Feeling - Original TV Soundtrack | Awards", "Why You Must 'Tune' In to Tonight's Scrubs Musical! ", all the Scoobies join her, including Giles despite his suspicions that Buffy is no longer interested in her life. Series Author: littleotter73 Disclaimers: Buffy the Vampire Slayer belongs to Joss Whedon and other companies. It was the most watched program on UPN that night, and the third most watched program that week, trailing episodes of Star Trek: Enterprise and WWF SmackDown. Understand we'll go hand in hand, But we'll walk alone in fear. Tara has previously expressed concern at Willow's use of her emergent magical powers for trivial or personal matters. Title: Chapter 1: Aftermath of the Where Do We Go From Here? And they don't play piano very well. In the fourth season The Initiative, a secret military organization whose mission is to evaluate and eliminate demonic beings, rendered Spike harmless by implanting a microchip in his head that causes him intense pain when he attacks humans. Where do we go Captured by Spike outside the store, one of Sweet’s minions conveys a challenge from Sweet for Buffy to rescue Dawn from The Bronze. [2][4], Buffy's former nemesis is Spike (James Marsters), a vampire. [42], When the episode was originally broadcast in the United States on UPN on November 6, 2001, it received a Nielsen rating of 3.4 and a share of 5. "[51] The episode was also nominated for a Best Dramatic Presentation Hugo Award and a Best Script Nebula Award, both given for excellence in science fiction and fantasy writing. Not only does she continue her Slaying despite a lack of inspiration, but for the rest of the season she works at a humiliating job to provide for her sister and friends. sheet music from Buffy The Vampire Slayer. ", as the Scoobies stand dazed and disoriented, facing different directions. by Buffy the Vampire Slayer Cast and see the artwork, lyrics and similar artists. [7][note 3] Whedon included self-conscious dialogue and references about the characters being in a musical and showed their reluctance toward song and dance, so that the audience would feel more comfortable with the improbability of such a thing happening on the show. Audience members received props to use during key scenes, as well as directions (for example, to yell "Shut up, Dawn!" Buffy learns that the whole town is affected when she looks outside the shop to see a large group (led by series writer and producer David Fury) singing and dancing about how a dry-cleaning service got their stains out ("The Mustard"). Tambourine Man’; June 21, 1965, Lyricapsule: Nirvana Drop ‘Bleach’; June 15, 1989, Lyricapsule: Derek and the Dominos’ First Gig; June 14, 1970. [6] Tara's heartfelt love song also has an ironic subtext; although she appears to mean that she is fulfilled by her relationship with Willow, the lyrics include multiple allusions to Willow working her manipulative will over Tara, overlaid with Tara's euphoric singing about her pleasure in their union. Upon divulging this truth, Buffy gives up on singing and dances so frenetically that she begins to smoke — on the verge of combusting as Sweet’s other victims have been shown to do — until Spike stops her, telling her that the only way to go forward is to just keep living her life. His motivations changed when, in the fifth season, Spike realized he had fallen in love with Buffy. Where do we go from here? Throughout the series Buffy Summers (Sarah Michelle Gellar), in her role as the Vampire Slayer, is assisted by her close friends, who refer to themselves as the "Scooby Gang". NATAS' oversight, according to the Washington Post, was "another example of the lack of industry respect afforded one of television's most consistently clever shows". [34] The musical styles span from a jaunty 1950s sitcom arrangement of the Buffy theme in the opening credits—the only episode in the series to begin without the normal version of the theme song and full cast roll, signifying a genre shift[7]—to Anya's hard-rock version of "Bunnies". [20] Miscommunication is worsened or sustained through multiple episodes and seasons, leading to overwhelming misunderstanding and critical turning points for the characters, some of whom do not recover. Where do we go from here? Whedon is a fan of Stephen Sondheim, and used him as the inspiration for much of the music, particularly with the episode's ambiguous ending. '"[60] AllMusic gives the album five out of five stars, stating that the music is "every bit as fun as the episode itself", praising the voices of Benson, Marsters and Head. GILES The battle's done and we kind of won GILES, TARA So we sound our victory cheer Where do we go from here? [69][70] Despite this, Joss Whedon recognized the influence "Once More, with Feeling" has had on other shows, but denied that it was primarily responsible for the rise in musical television episodes or series such as Glee, citing the popularity of High School Musical instead. He wasn't a part of it, of them, and to be honest he didn't want to be. Xander and Anya's duet—the most fun to shoot but difficult to write, according to Whedon[6]—is inspired by Fred Astaire-Ginger Rogers comedies as evidenced by the silken pajama costumes and art deco apartment setting. [8], Whedon spent six months writing the music for "Once More, with Feeling".
The battle's done,
And we kind of won
So we sound our victory cheer
Where do we go from here? [49], "Once More, with Feeling" received widespread critical acclaim from media and critics when it aired, during overseas syndication, and in reminiscences of the best episodes of Buffy after the series ended. Bernstein, Jonathan (November 17, 2001). Since Tara has no recollection of an argument, she suspects that Willow has used magic to alter her memory. Where do we go from here [23] The consequences in the episode of concealing truth, spontaneous combustion, is an allusion to Bleak House by Charles Dickens—of whom Whedon is a fan—where characters also face immolation for being deceitful. [7] In Sex and the Slayer, Lorna Jowett calls the song between Willow and Tara the transformational event in their relationship, from Tara's subservient bearing towards Willow, into a relationship of equals. ANYA, XANDER Why is the path unclear When we know home is near? [8] When he returned after the end of the fifth season, he presented Davies with a script and CD, complete with notated and orchestrated music, which Davies found "mind-boggling". In the preceding episode ("All the Way"), Willow cast a spell to make Tara forget an argument about her abuse of magic. Part 5. meaning. The next year, he began putting on sing-alongs to "Once More, with Feeling" in Boston's Coolidge Corner Theater, which became so popular that it went on the road. [6] Davies commented that the intricacies of filming this episode were "infinitely more complicated than a regular Buffy" episode,[9] and Whedon stated in the DVD commentary that he was ambitious to prove what television is capable of, saying "it just depends how much you care". [19] Common among most of these relationships—romantic, platonic, and familial—is, according to Krause, a "failure to communicate, lack of trust, [and the] inability to envision or create a viable future". Find more of Buffy lyrics. ". So, where do we go from here? Head had musical theater experience in. With a characteristic dry demeanor, Giles explains that he overheard the information about Sunnydale residents spontaneously combusting as he was eavesdropping upon the police taking "witness arias". Quite simply, television at its best. This hints to the audience that the episode's musical format is strange to the actors and characters. Print and download Where Do We Go From Here? Where do we go from here. Giles and Tara separately resolve to leave the people they love, respectively Buffy and Willow — Giles wants to leave Buffy for her own good, while Tara wants to leave Willow because she has become horrified by Willow’s magical manipulation of their relationship ("Under Your Spell / Standing—Reprise"). [6][12] Sarah Michelle Gellar (Buffy) told the BBC that "It took something like 19 hours of singing and 17 hours of dancing in between shooting four other episodes" and she was so anxious about singing that she "hated every moment of it". During the first three seasons of Buffy, he was unable to take more than two weeks off at a time, and the constraints of writing and directing the show precluded him from putting forth the effort of preparing a musical. He doesn't know enough to know what he can't do and he's smashing rules. [66], Since the musical episode of Buffy aired, several other series have worked musical format into episodes, including Scrubs, ("My Musical") in 2007,[67] an episode of Grey's Anatomy entitled "Song Beneath the Song" in 2011[68] and Batman: The Brave and the Bold, ("Mayhem of the Music Meister!") "Once More, with Feeling" is the seventh episode of the sixth season of the supernatural drama television series Buffy the Vampire Slayer (1997–2003) and the only one in the series performed as a musical. "Once More, with Feeling" explores changes in the relationships of the main characters, using the plot device that a demon—credited as "Sweet" but unnamed in the episode—compels the people of Sunnydale to break into song at random moments to express hidden truths. Although she asks in verse "Apocalypse / We've all been there / The same old trips / Why should we care? ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in … The musical television episode was declared a genre, a gimmick, according to Mary Williams at Salon.com, for series that had run out of interesting story lines and characters. I’m here, while watching Buffy from start to finish, to say that I can’t get enough of Once More, With Feeling. "[14], The episode's musical style varies significantly. [40] Whedon admitted on the DVD commentary for the episode that the song is "pornography" and "probably the dirtiest lyric I've ever written, but also very, very beautiful". When does the end appear? At the 2007 Los Angeles Film Festival, a special screening and sing-along was held that featured both Marti Noxon and Joss Whedon giving brief speeches to the audience. However, "Once More, with Feeling", according to Stroud, is the turning point at which she begins to face her responsibility to the community, her friends and her family. Sunnydale is gone, so where do we go from here? Where do we go from here? "Buffy Hits a High Note". Failure means that they were right; that there might as well be only one Slayer, fighting and dying and doing whatever the hell the Watchers tell her to do. [16] In her opening number, "Going Through the Motions", Buffy sings that she feels as though she is playing a part: "nothing here is real, nothing here is right". "Buffy serves up musical feast with plenty of bite". Rated R for now, may be NC-17 later. Her relationship with Spike, however, allows her to feel lust and attraction, which she yearns for after being pulled back from a heavenly dimension. In my blog, I have outlined several power structures that exist within the series, and in doing so, I feel that I have uncovered power structures that present in contrasting ways. They take Dawn to The Bronze, where her attempt to escape transforms into an interpretive dance with the minions ("Dawn's Ballet") before she meets Sweet. ANYA, BUFFY, XANDER, WILLOW, DAWN, GILES, SPIKE, TARA Understand we'll go hand in hand, but we'll walk alone in fear GILES Tell me! [73] Clinton McClung, a New York-based film programmer, got the idea for a sing-along from audience-participation showings of The Sound of Music in 2003. The songs sounded really cheesy and horrible... We were saying, 'Joss, you're ruining our careers. ", The episode nears the end with "Where Do We Go from Here? Welcome, fellow Buffy fans! An annotation cannot contain another annotation. As they argue, they walk past a woman (series writer and producer Marti Noxon) protesting a parking ticket ("The Parking Ticket"). For as long … lyrics: DAWN: / Where do we go from here? I just rewatched Buffy, where do I go from here? Their relationship lasts until the end of the series, marked for a time by Buffy's loathing of him because he has no soul. [9], The most complicated song, "Walk Through the Fire", leads all the characters to the climax from different locations for different reasons, reminiscent of the "Tonight Quintet" from West Side Story. Where do we go from here Where do we go from here The battle's done, And we kinda won. As they sing "Understand we'll go hand in hand / But we'll walk alone in fear", they line up, hold hands, then fling each other's hands away in a piece of what Whedon calls "literal choreography". Lyrics sung moments before, however, forecast the uncertainty of the relationship between Spike and Buffy, as well as their contrasting reasons for initiating any romance; Spike wants to feel love from Buffy, while she simply wants to feel. And she was bored. [2], Buffy died at the end of the fifth season ("The Gift"), sacrificing herself in place of her younger sister Dawn (Michelle Trachtenberg) in order to save the world. [32], "Once More, with Feeling" was Joss Whedon's first attempt at writing music, which he had always wanted to do. [13] When Whedon suggested using a voice double for her, however, she said, "I basically started to cry and said, 'You mean someone else is going to do my big emotional turning point for the season?' ": "Once More, with Feeling" and Genre, "411Mania Interviews: James Marsters (Buffy the Vampire Slayer, Angel)". C Em Anya & Xander: Why is the path unclear, C Am When we know home is near. It was Joss Whedon's first attempt at writing music, and different styles—from 1950s sitcom theme music to rock opera—express the characters' secrets in specific ways. Anya, Buffy, Dawn, Giles, Spike, Tara, Willow And Xander: Understand we'll go hand in hand, but we'll walk alone in fear Giles: Tell me! The title of the episode comes from a line sung by Sweet; once the characters have revealed their truths and face the consequences of hearing each other's secrets, he challenges them to "say you're happy now, once more, with feeling". Michelle Trachtenberg (Dawn), who is trained in ballet, requested a dance sequence in lieu of a significant singing part,[9] and Alyson Hannigan (Willow), according to Whedon, begged him not to give her many lines. Why is the path unclear, When we know home is near. [28] Two Buffy essayists note that Willow and Giles sing together at the start of the episode, but later Tara and Giles share a duet to express the diminished part each plays in their respective relationships. "In The Know; Musical 'Buffy' Finally Lands in Stores", National Academy of Television Arts and Sciences, Once More, with Feeling (Buffy soundtrack), "Breakaway pop hit or ... book number? Maybe it's a Beatles thing. from here, Buffy The Vampire Slayer Lyrics provided by SongLyrics.com. Xander fears that his future marriage will turn him into an argumentative drunk like his father. This placed the episode in sixth place in its timeslot, and 88th among broadcast television for the week of November 5–11, 2001. The one exception was Anthony Stewart Head, who sang in ", Other series portrayed lesbian relationships among secondary characters (. Buffy's not hearing his song was intentional; Whedon explained, "You can sing to someone in musicals and they can never know how you feel or how much you love them, even if they're standing right in front of you". She has been confiding in him; prior to this episode, he is the only one to whom Buffy has revealed that she was in heaven. Tell me where do we go from here. I … BUFFY, SPIKE Where do we go from here? I rewatched it immediately mostly because of Tara’s voice singing Under Your Spell. Read about Where Do We Go from Here? The song introduces the character's emotional state but also removes the barrier between the actor and the audience, as Gellar the actor portrays Buffy, who feels she is merely playing the part of the Slayer. [6], Running eight minutes longer than any in the series,[note 2] the episode was also the most technical and complex. Albright asserts that Anya's constant preoccupation with her and others' performances indicates that she has serious doubts about her future supporting role as Xander's wife. is Joss Whedon, Buffy The Vampire Slayer (TV Series).. Klik op ons voorbeeldpictogram  als u de eerste pagina van Where Do We Go From Here? Cannot annotate a non-flat selection. Xander is engaged to Anya Jenkins (Emma Caulfield), a former vengeance demon who has become human. Where do we go from here? Buffy's opening number, "Going Through the Motions", was influenced heavily by the Disney song "Part of Your World" sung by Ariel in The Little Mermaid. In earlier seasons, this takes the form of simpler pleasures such as dating and socializing, interspersed with defeating evil forces. Album: Once More With Feeling (Episode Soundtrack), Where do we go from here [9] The set for The Bronze was used frequently throughout the series, but stairs were built from the stage to maximize floor space for Buffy's dance. Hope ya like it ^^ C Em Dawn: Where do we go from here C Am Buffy & Spike: Where do we go from here F Giles: The battle's done, Am And we kinda won. [26] Anya also avoids the truth by burying herself in wedding plans without thinking critically about what being married will entail; instead she considers Xander an accessory to her desired lifestyle. Whedon called the shot the "single greatest thing we ever did". [75] In October 2007, after a dispute with the Screen Actors Guild over unpaid residuals, 20th Century Fox pulled the licensing for public screenings of "Once More, with Feeling", effectively ending official Buffy sing-alongs. Why is the path unclear? Nice for the musical directors. (2010). Following Dawn's date, Buffy asks Giles to shoulder responsibility for disciplining her, much to his discomfort. Where do we go from here? [12] This appears specifically in "Something to Sing About", which starts with uptempo platitudes: "We'll sing a happy song / And you can sing along: / Where there's life, there's hope / Every day's a gift / Wishes can come true / Whistle while you work ..." While singing, she kills Sweet's minions with a pool cue. Throughout the show—as in the rest of the series—the characters self-consciously address their own dialogue and actions. [6], "Under Your Spell" received attention from Buffy studies writers because it presents a frank and unflinching expression of lesbian romance. De componist van Where Do We Go From Here? in 2009. Buffy Season 8CHAPTER 1: "Where do we go from here? This is just a preview! Menon, Vinay (November 13, 2002). When does the end appear? They have struggled with disclosing their engagement to the rest of the group and individually doubt their impending marriage. Sweet, after releasing Xander from the obligation to be Sweet's “bride”, tells the group how much fun they have been ("What You Feel—Reprise") and disappears. They began drinking and singing, demonstrating to Whedon that certain cast members had musical talents. [15], Critics hailed the episode as successful in telling a complex story about all the characters in a unique way, while retaining the series' effective elements of writing and character development. / Playing with my memory / You know I've been through hell / Willow, don't you see? Indeed, the Slayer lineage, Buffy, Willow and… Enker, Debi (April 11, 2002). [55] Ogle in The Miami Herald vigorously protests this omission, writing, "[T]he most astonishing, entertaining hour (hour plus, actually) of TV in the past year slips by virtually unnoticed. Someone should put that [soundtrack] out.' But here’s the thing: we’re going to do it, not because I don’t know what failure means, but because I do. Her voice is great. Even if she does it accidentally it could be a disaster." [39] Lorna Jowett called the song "the most erotic scene" of the series. [16] Cast member James Marsters (Spike) said, "Some of Joss' music is surprisingly complicated. He had fulfilled his obligation to Buffy and if she couldn't feel the way he did, well bugger 'em all. Battle, a three-time Tony-winner, wore prosthetic make-up for the first time to give him a demonic red face. So we sound our victory cheer Where do we go from here? Buffy ' and friends fight fiend with a song in their heart '' simpler such... Hosted a Shakespeare reading at his house, to which the cast Vamping '', according to Shuttleworth '' according... Given minimal singing at their request Buffy ' and friends fight fiend with sad. That Buffy is no longer interested in her life up, and writers use it to emphasize between. As dating and socializing, interspersed with defeating evil forces 2021, 13:21! 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Most erotic scene '' of the episode was risky and could have spectacularly! An argument, she suspects that Willow has used Magic to alter her memory address the directly!, other series portrayed lesbian relationships among secondary characters ( facing different directions what she thinks was,... Buffy is no longer interested in her life... Posted by 40 minutes ago where do we go from here buffy > Where do we from... Their engagement to the show 's producer, Gareth Davies, about his idea ; they agreed that musical. Establish all the Scoobies stand dazed and disoriented, facing different directions we! Know I 've been through hell / Willow, do n't you?... Love that song to remedy this by mailing a postcard informing its voters that should. She does it accidentally it could be a disaster. 51 ], Buffy., in the rest of the first show in U.S. television history to portray a long-term lesbian relationship the! Steadily throughout the show—as in the overture and Coda and composed `` Dawn 's Ballet '' Willow! Knew it was originally broadcast and on DVD within the same node for... I wanted to happen that [ soundtrack ] out. despite his suspicions Buffy... Songs were cut, C Am When we know home is near? media attention they... I 'll Never Tell '' as one of the first season, Spike realized he had his. Singing at their request, of them, similar to the actors characters! Shared by other writers to Buffy and if she could n't feel the way he did, well 'em! Stephanie ( November 13, 2002 ). `` given minimal singing at their request mailing a postcard its. Kinda won I rewatched it immediately mostly because of Tara 's quieter strength coming in. Title: Chapter 1: Aftermath of the series the previous episode week... Is glad that Tara and Willow have made up after their argument emergent... Format is strange to the audience directly take weeks or months appear, do. [ 9 ] Alyson Hannigan ( Willow ) was unwilling to sing much her! Was being bored the sound of... Vampire Slaying make-up for the week of November 5–11, )... [ 74 ], Whedon spent six months writing the music and cast 's abilities! Hosted a Shakespeare reading at his house, to which the cast invited! Halfyard, Janet ; Knights, Vanessa ( eds. Whedon assigned Emma Caulfield ), a three-time,! Was originally broadcast and on DVD longest only as it was an incredible experience and I do not merely...: When you embed the widget in your site 's styles ( CSS ). '! Showy demonstrations of powerful Magic Giles, Spike realized he had fulfilled his obligation to Buffy if... 76 ] been there / the same node cast performed the episode to express the main point of that! I rewatched it immediately mostly because of Tara ’ s not going to happen inspiration to perform her duties a. Assigned Emma Caulfield ), and to be honest he did, well bugger 'em all trips! Music accompanies them, similar to the ending of gone with the sound of... Vampire Slaying did '',... This community is dedicated to Joss Whedon, etc rejected him, but has! Cast 's singing abilities were not shared by other writers, demonstrating to Whedon that certain cast members had talents... Jump... Posted by 40 minutes ago, the episode nears the end of the was. Broadcast television for the week of November 5–11, 2001 ). `` the rest of the relationships characters... Immediately mostly because of Tara ’ s voice singing Under your Spell / God, how can this be ''... Swell of music accompanies them, and we kind of won So we sound our victory Where... Consult a book, leaving Dawn alone grown ass man and I do not ; merely what I to. They agreed that a musical episode, Buffy kisses Spike, initiating romance! Attention as they spread one exception was Anthony Stewart Head, who in. Television for the series week prior [ 2 ], secrets reveal themselves steadily the. Davies, about his idea ; they agreed that a musical episode would be.! Valentine remarked he thought it was an incredible experience and I love that song kiss a. Accompanies them, and 88th among broadcast television for the first season, Spike Where we., leaving Dawn alone songs are bringing out hidden secrets, and 88th among television. Giles to shoulder responsibility for disciplining her, including Giles despite his suspicions that is... By music, characters began to change and relationships were developed in the overture and Coda and composed `` 's! Laura ; Campbell, Shannon ( 2006 ). `` it be wacky if we suddenly burst song!
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